Someone on X asked, “How do people write a first draft longer than the final draft?”
It’s a good question. One that every book writer, blogger, and ghostwriting client has thought about at some point.
The answer? It depends.
Sometimes the first draft is longer. Sometimes it’s not. And both are okay.
First drafts are like messy kitchens
Imagine cooking a big meal. You take out every spice, every pot, and every knife—just in case. The kitchen looks like a war zone. But you’re not worried. You’re experimenting. Figuring things out.
That’s what a first draft is like.
You dump your thoughts on paper. You ramble. You repeat yourself. You overwrite. Not because you’re bad at writing. But because you’re still trying to understand what you really want to say.
A client once told me, “I wrote 30,000 words and still don’t know what my book is about.”
He wasn’t wrong. That 30k was him talking to himself. Thinking out loud. Once we knew the core idea, we cut 15,000 words without blinking.
That’s ghostwriting.
A ghostwriter for writing books isn’t just someone who types fast. It’s someone who knows what to keep and what to delete. Someone who can hear the signal through all the noise.
Why some drafts balloon like that
Here’s when a first draft usually ends up longer than the final:
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You’re still figuring out your main idea
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You’re emotionally attached to every story you know
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You write just in case someone might need that example
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You’re scared to leave gaps, so you overwrite
When you’re in that place, you end up writing like a hoarder. You don’t want to throw anything out. Everything might be useful.
But when it’s time to edit, you step back and see the clutter.
You see that Chapter 6 is just a longer version of Chapter 2.
You realize the anecdote about your first boss adds nothing.
You notice you’ve said the same thing three times—in slightly different words.
So, you trim. You shape. You turn the mess into something sharp.
That’s the shift:
The first draft is for you. The final draft is for your reader.
But what about short first drafts?
Let’s flip it.
Sometimes, the first draft is tiny. Just a skeleton.
You start with a single idea. You write a few bullet points. A sentence or two under each. And you stop.
You don’t have much yet, but what’s there feels solid.
That’s how I start with most clients who want book writing services. Especially business coaches or subject-matter experts.
I don’t ask for 10,000 messy words. I ask for 500 focused ones. A story. A point. A belief. Something we can build on.
From there, we add.
We layer in their voice.
We bring in client stories.
We include examples, metaphors, and side notes.
What starts as 500 words turns into 5,000.
The first draft is short. The final one is layered. Full. Deep.
Both styles work. Neither is wrong.
Real examples from real people
One entrepreneur I worked with sent me his “manuscript.” It was 38 pages. No structure. No chapters. No intro. But it had heart.
His draft was long, because he didn’t want to leave anything out. He was scared he’d forget the one thing that mattered.
We cut 12 pages, restructured the rest, and turned it into a tight, 20-chapter book.
Another client—an executive coach—started with just 200 words. A single LinkedIn post, actually.
She said, “This feels like the heart of the book.”
It was.
We expanded that post into a full outline. Then into chapters. Then into a finished book.
That’s the beauty of ghostwriting.
Some people talk for hours. Others give you one sentence. Either way, a good ghostwriter for writing books knows how to listen.
If you’re writing your first book…
Don’t worry about the length of your first draft.
Seriously. Don’t.
Whether it’s too long or too short—it doesn’t matter.
What matters is momentum. Clarity comes later.
If you’re drowning in words, keep writing. Then step back and ask: What am I really trying to say?
If you’re stuck with too little, say one thing clearly. Then build from there.
There’s no rulebook. There’s no one-size-fits-all.
That’s why so many people use book writing services.
Not because they can’t write.
But because writing a book is different from having a good idea.
The first draft is you talking to yourself.
The final draft is you talking to someone else.
Big difference.
So don’t stress if your draft looks messy or too short or too long. It’s not a test. It’s a process.
And if you ever need help—whether you need structure, clarity, or someone to carry the heavy load—ghostwriting exists for a reason.
A good book writer doesn’t just write.
They listen.
They shape.
They bring your voice to life.
Whatever shape your draft is in—there’s a book in there. Somewhere.
You just have to find it.